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Lost Score
 
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Lost Score [Soundtrack]

~ Soundtrack (TV) (Artist)
5.0 out of 5 stars See all reviews (1 customer review)
Price: CDN$ 21.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
Usually ships within 1 to 3 weeks.
Ships from and sold by Amazon.ca. Gift-wrap available.

15 used & new available from CDN$ 13.14

Frequently Bought Together

Customers buy this album with Lost: Season ~ Soundtrack (TV)

Lost Score + Lost: Season
Price For Both: CDN$ 43.98

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Product Details

  • Audio CD (Mar 28 2006)
  • Number of Discs: 1
  • Format: Soundtrack
  • Label: Outside Music
  • Run Time: 65 minutes
  • ASIN: B000EHSVDM
  • Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
  • Amazon.ca Sales Rank: #13,921 in Music (See Bestsellers in Music)

    Popular in this category:

    #80 in  Music > Soundtracks > Television Soundtracks

Track Listings

1. Main Title - Composed by J.J. Abrams
2. The Eyeland
3. World’s Worst Beach Party
4. Credit Where Credit Is Due
5. Run Like, Um... Hell?
6. Hollywood and Vines
7. Just Die Already
8. Me And My Big Mouth
9. Crocodile Locke
10. Win One for the Reaper
11. Departing Sun
12. Charlie Hangs Around
13. Navel Gazing
14. Proper Motivation
15. Run Away! Run Away!
16. We’re Friends
17. Getting Ethan
18. Thinking Clairely
19. Locke’d Out Again
20. Life and Death
See all 27 tracks on this disc

Product Description

Amazon.com
Michael Giacchino is the rare composer who's graduated from video games (including the Medal of Honor series) to high-profile big-screen fare (The Incredibles). But the most important aspect of Giacchino's career may well be his collaboration with writer-director-producer J.J. Abrams, for whom he's scored Mission: Impossible III and the television hits Alias and Lost. The latter is a hybrid show--part mystery, part psychological drama, part science fiction--and thus requires a nimble composer who can switch moods quickly. Culled mostly in chronological order from the popular series' first season, this CD shows how the score contributes mightily to Lost's artistic success (Abrams himself composed the 16-second "Main Title.") Giacchino's signature move is an abrupt surge of low-throated trombones, which creates a deep-seated anxiety and raises the viewer's heart rate without fail (check out the end of "The Eyeland" for a typical example). But he deftly varies orchestrations and ambiences throughout, equally at ease in pulse-pounding dramatics ("Getting Ethan," "Run Away! Run Away!") and quieter atmospherics ("Thinking Clairely," "Booneral"). --Elisabeth Vincentelli

 

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