Julia (1977)

Director:

Fred Zinnemann

Writers:

Lillian Hellman (novel)
Alvin Sargent (writer)

Release Date:

20 January 1978 (West Germany)

Genre:

Drama

Tagline:

The story of two women whose friendship suddenly became a matter of life and death.

Plot:

At the behest of an old and dear friend, playwright Lillian Hellman undertakes a dangerous mission to smuggle funds into Nazi Germany.

Plot Keywords:

1930s | Friendship Between Women | Austria | Berlin | Border

Awards:

Won 3 Oscars. Another 17 wins & 21 nominations

Cast

Jane Fonda	...	Lillian Hellman
Vanessa Redgrave	...	Julia
Jason Robards	...	Dashiell Hammett
Maximilian Schell	...	Johann
Hal Holbrook	...	Alan Campbell
Rosemary Murphy	...	Dorothy Parker
Meryl Streep	...	Anne Marie
Dora Doll	...	Woman Passenger
Elisabeth Mortensen	...	Girl Passenger
John Glover	...	Sammy
Lisa Pelikan	...	Julia (younger)
Susan Jones	...	Lillian (younger)
Cathleen Nesbitt	...	Grandmother
Maurice Denham	...	Undertaker
Mark Metcalf	...	Pratt

Runtime:

118 min

Country:

USA

Language:

French | German | English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Indonesia:Dewasa | Iceland:12 | Singapore:PG | Finland:K-16 | Sweden:15 | USA:PG | Australia:PG

Filming Locations:

Central Station, Strasbourg, Bas-Rhin, France

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Meryl Streep's movie debut.

Goofs:

Plot holes: The basis of the entire film is the restrictions in pre-WWII Nazi Germany on the import of foreign (such as American) currency. There was no such restriction. Stable foreign currency was welcomed in an era when extreme inflation was a recent memory.

Quotes:

Johann: If you cannot do it, do not do it.

Movie Connections:

Referenced in "Saturday Night Live: Michael Palin/Eugene Record (#3.16)" (1978)

Fonda, Redgrave, Streep!

Julia (1977) Starring Jane Fonda as playwright Lillian Hellman and Vanessa Redgrave (controversially winning a Best Supporting Actress Oscar) as a longtime childhood friend. Meryl makes the most of her miniscule part as an upper-class snob acquaintance of Ms. Fonda's. Basically it's a story of a friendship. Redgrave's character, born into privilege, becomes part of the Resistance movement in World War II torn Europe while Fonda fights her own political battles in America while becoming a famous playwright.

The story focuses on an episode near the end of the friends' lives, when Fonda goes to Europe to visit Redgrave, now completely consumed in underground resistance activities and (summoning up bravery of her own) smuggles in money to support the underground movement.

The movie succeeds on several levels. The cinematography, though shot in color, successfully evokes a world of muddied browns, shadows and murkiness. The screenplay, based on Hellman's own memoir is translated well, capitalizing on Hellman's unique talent for imbuing simple moments with heroic significance. The personal drama of the friendship is heightened against the intrigue and always threatening possibilities of war.

Julia provides a rare opportunity to see two female characters conducting their lives not as appendages of men, but as independent protagonists. Furthermore, social relationships, both on a personal and political level, are presented, for a change, from a woman's point of view. Though not a Streep showcase, it is a compelling movie that will haunt you.