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All Quiet on the Western Front (1979) (TV)
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Overview
Release Date:
14 November 1979 (USA) moreTagline:
They left for war as Boys, never to return as men.Plot:
A young soldier faces profound disillusionment in the soul-destroying horror of World War I. full summary | add synopsisAwards:
Won Golden Globe. Another 1 win & 7 nominations moreUser Comments:
Excellent remake of the Lewis Milestone classic moreCast
(Cast overview, first billed only)| Richard Thomas | ... | Paul Baumer | |
| Ernest Borgnine | ... | Stanislaus Katczinsky | |
| Donald Pleasence | ... | Kantorek | |
| Ian Holm | ... | Himmelstoss | |
| Patricia Neal | ... | Paul's Mother | |
| Paul Mark Elliott | ... | Behm (as Mark Elliott) | |
| David Bradley | ... | Kropp (as Dai Bradley) | |
| George Winter | ... | Kemmerich | |
| Dominic Jephcott | ... | Leer | |
| Mark Drewry | ... | Tjaden | |
| Colin Mayes | ... | Westhaus | |
| Ewan Stewart | ... | Detering | |
| Michael Sheard | ... | Paul's Father | |
| Katerina Lirova | ... | Paul's Sister | |
| Mary Miller | ... | Frau Kemmerich |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
USA:131 min (DVD) | UK:123 min | Netherlands:150 min | USA:150 minLanguage:
EnglishColor:
ColorAspect Ratio:
1.33 : 1 moreSound Mix:
MonoFilming Locations:
Czech RepublicMOVIEmeter: 
Fun Stuff
Trivia:
In the scene of Kaiser Wilhelm pinning medals on the soldiers, the Kaiser uses only his right arm and hand, while an aide holds the soldiers' tunics - a nice historically accurate detail, since the real Kaiser Wilhelm had a stunted and withered left arm that was virtually useless. moreGoofs:
Anachronisms: All of the German infantry men use "Y-strap" leather equipment suspenders, which are a 1930s-40s German World War II infantryman's item. moreFAQ
A NOTE REGARDING SPOILERSmore
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It is difficult to go wrong with such a magnificent story, one of the most affecting literary anatomisations of the tragedy of young men destroyed by war. And yet, this 1979 television remake of the Lewis Milestone original adds many elements to cherish of its own. Most notably, the casting of Richard Thomas, best known for being John-Boy Walton, in the role of Richard Baume. His characterisation is wonderfully profound, and poignant, and the scene in the trench with the French soldier is a virtual masterclass of compassionate acting. Thomas has never become a superstar; and for this reason he is one of an evergrowing army of neglected romantic leading men. The battle scenes are breathlessly exciting; and yet they do not dwell on carnage, and it is to their credit...and yet still they elicit pity and horror from the viewer. The music is magnificent, the structure craftmanlike, the acting (by Thomas, Borgnine, Holm) superlative, and the work itself suffused through with compassion.......