Heat and Sunlight (1987)

User Rating:

5.1/10   

Director:

Rob Nilsson

Writer:

Rob Nilsson (story)

Release Date:

1 November 1988 (USA)

Genre:

Drama

Plot:

Over 16 hours, in February, 1987, a man confronts jealously and rage as a love affair falters. Photojournalist...

Plot Keywords:

Improvisational | Jealousy | Independent Film

Awards:

1 win & 1 nomination

Cast

Rob Nilsson	...	Mel Hurley
Consuela Faust	...	Carmen
Don Bajema	...	Mitch
Ernie Fosselius	...	Telephone Voice
Bill Bailey	...	Barney
Bill Ackridge
Lester Cohen
Bob Elrons
Burns Ellison
Dan Leegant	...	Salesman)
Herb Mills
Richard A. Rohieder
Russell Murphy
Lynn 'Chrystie' Ana
Johnny Tidwell

Runtime:

98 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Canada:13+ (Quebec) | Australia:M | USA:R

Company:

New Front Films

Trivia:

The film had no written screenplay, just a story which was improvised by the cast.

An important, overlooked piece of truly independent American film-making

Symbolically this film represents the last hurrah of truly underground American film-making before it crossed over into the "indie" cottage industry we know today, as it won the grand prize at the Sundance Film Festival (then still known as the US Film Festival) a year before the levee broke, so to speak, with "Sex, Lies and Videotape". Artistically, it presents a kind of forgotten missing link between Cassavetes and Harmony Korine. The director and star Rob Nilsson (who's performance and double duty here both strike me as a bit of a precursor to Vincent Gallo as well), heavily inspired by Cassavetes, created his own filmic method he calls "direct action cinema" which basically just means complete spontaneous improvisation from the mostly non-professional actors, mostly hand-held camera and minimal lights etc. Nothing too revolutionary by today's standards, but considering this was 1987 not many people were doing this, let alone in America. He also injects a very innovative editing style strikingly reminiscent of what Harmony Korine would do some ten years later, particularly similar to "Julien Donkey-Boy" with it's ultra-grainy visual quality (Black and white 16mm? Analogue video?) and extensive use of still-frame snapshot images. Despite all this remarkable innovation, the film is not without it's flaws and is in some ways actually very dated. A few unfortunate sequences have a glaringly cheesy "80s"ness to them (leg warmers?), and also the overall production quality, while admirable in it's embodiment of true independent spirit, is also a bit rough to say the least. Still, the actual storyline itself is really very good and the acting, for the most part, is engaging (although I may have considered someone else for the lead role besides Nilsson himself, a choice which strikes of a certain egoism). As a kind of forgotten building block in the independent filmic language it is well worth seeing (and I'm pretty sure Harmony Korine must have seen this since it contains the idea of "jokes without punchlines" in a very amusing sequence).