The Mask (1994)

User Rating:

6.5/10   

Director:

Chuck Russell

Writers (WGA):

Michael Fallon (story) and
Mark Verheiden (story) ...

Release Date:

29 July 1994 (USA)

Genre:

Action | Comedy | Crime | Fantasy

Tagline:

From zero to hero

Plot:

Bank clerk Stanley Ipkiss is transformed into a manic super-hero when he wears a mysterious mask.

Plot Keywords:

Pantyhose | Mockery | Legs | Pig Latin | Lieutenant

Awards:

Nominated for Oscar. Another 6 wins & 15 nominations

US TV Schedule:

Wed. Oct. 15	11:00 PM	TNT
Thur. Oct. 16	1:00 AM	TNT

Cast

Jim Carrey	...	Stanley Ipkiss
Peter Riegert	...	Lt. Mitch Kellaway
Peter Greene	...	Dorian Tyrell
Amy Yasbeck	...	Peggy Brandt
Richard Jeni	...	Charlie Schumaker
Orestes Matacena	...	Niko
Tim Bagley	...	Irv Ripley
Nancy Fish	...	Mrs. Peenman
Johnny Williams	...	Burt Ripley
Reg E. Cathey	...	Freeze (as Reginald E. Cathey)
Jim Doughan	...	Detective Doyle
Denis Forest	...	Sweet Eddy
Cameron Diaz	...	Tina Carlyle
Joseph Alfieri	...	Police Officer
B.J. Barie	...	Alley Punk #1

MPAA:

Rated PG-13 for some stylized violence.

Runtime:

97 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS-Stereo | DTS

Certification:

Argentina:Atp (original rating) | Brazil:Livre | Ireland:12 | Iceland:12 | USA:TV-PG (edited tv version) | UK:12 (DVD rating) | USA:PG (cut) | Australia:PG | Canada:G (Quebec) | Canada:PG (Manitoba/Nova Scotia/Ontario) | Chile:14 | Finland:K-12 | Germany:12 | Hong Kong:II | Japan:U | Netherlands:AL | Norway:15 | Singapore:PG | South Korea:12 | Spain:13 | Sweden:11 | UK:PG | USA:PG-13 | Thailand:PD-14

Filming Locations:

6th Street Viaduct, Los Angeles, California, USA

Company:

Dark Horse Entertainment

Trivia:

In the scene where Ipkiss puts the mask on in his apartment, and becomes a whirlwind, lightning strikes in the background reveal a back lit image of his skeleton. The viewer will need to play the movie in slow motions as the scene is only 1/10th of a second long.

Goofs:

Continuity: When Stanley repeatedly punches Dorion in the face his tie is very loose, in scenes after its tightness keeps changing even within the same fight when he hasn't any time to adjust it.

Quotes:

Stanley Ipkiss: [explaining how The Mask works] It's like it brings your innermost desires to life. If deep down you're a little repressed, and a hopeless romantic, you become some kind of love-crazy wild man.
Tina Carlyle: And if you're someone like Dorian?
Stanley Ipkiss: Then we're all in big trouble.

Movie Connections:

Referenced in "Mystery Science Theater 3000: The Pumaman (#10.3)" (1998)

Soundtrack:

Cuban Pete

Incredible success when seen as a surrealistic cinematic pastiche

Stanley Ipkiss (Jim Carrey) is a bit of a dorky pushover. For example, he buys hot concert tickets to try to get a date with a fellow bank employee he's been pining after, but she easily scams him into keeping the tickets for herself, and he is too weak to publicly object. But when he comes across an ancient mask of Lodi long ago discarded by Vikings who tried to bury the "troublesome object" at the "end of the Earth", he discovers it has the power to unlock his true self--suave, smooth-talking, manic, a bit dangerous, and a hopeless romantic.

The Mask was a perfect vehicle for Jim Carrey. It not only allowed provided the perfect justification to flamboyantly engage in his rubber-faced antics in a manner even more over-the-top than what he'd become famous for, but it provided an opportunity to stretch his acting chops towards a more serious side at just the right time in his career, paving the way for later work such as Man on the Moon (1999), The Majestic (2001) and Eternal Sunshine of the Spotless Mind (2004).

The success of the film wholly depends on Carrey, as he has to sell his characters' frenzied insanity so that it's believable as a reflection of Stanley's inner self while at the same time likable but teetering on the edge of becoming obnoxiously overbearing. Of course, the amazing special effects and make-up help, as well as the clever script and more than competent directing and cinematography, but with the wrong actor in the part, the whole affair could have easily collapsed. The other cast members are fine in supporting roles, with Cameron Diaz coming across as being almost otherworldly beautiful, but Carrey is rarely off-screen, and rightly so.

The Mask is notable for both spoofing almost the whole history of cinema while at the same time respectfully paying homage to it. The audience is treated to everything from silent film slapstick to lavish musical numbers (with excellent songs), frenzied Tex Avery-styled animation to gangster film suspense. On its surface, the film is a crazy, often funny, hyperactively paced cinematic pastiche.

The subtext about identity and public faces versus private selves is interesting, but not the focus. It would be fine to explore further, but to do so in this particular film would have taken too much time away from Carrey's surrealistic tour de force. Besides, we've had later films where that subtext has been closer to the heart of a story, such as Catwoman (2004), and where it was very thoroughly and competently dealt with.

Many aspects of The Mask differed from the comic book source material, but this is a case where the changes led to such an excellent result that most people have forgotten about the source material and primarily remember Carrey's performance in this film as definitive.