The Secret Agent (1996)

Director:

Christopher Hampton

Writers:

Joseph Conrad (novel)
Christopher Hampton (written by)

Release Date:

8 November 1996 (USA)

Genre:

Drama | Thriller

Plot:

London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists...

Plot Keywords:

Anarchy | Betrayal | Sabotage | Spy | Based On Novel

Cast

Bob Hoskins	...	Verloc
Patricia Arquette	...	Winnie
Gérard Depardieu	...	Ossipon
Jim Broadbent	...	Chief Inspector Heat
Robin Williams	...	The Professor (as George Spelvin)
Christian Bale	...	Stevie
Roger Hammond	...	Mr. Michaelis
Eddie Izzard	...	Vladimir
Ralph Nossek	...	Yundt
Neville Phillips	...	Ticket clerk
Elizabeth Spriggs	...	Winnie's mother
Peter Vaughan	...	The Driver
Julian Wadham	...	The Assistant Commissioner

Also Known As:

Joseph Conrad's The Secret Agent

MPAA:

Rated R for some moments of violence.

Runtime:

95 min

Country:

UK

Language:

English

Color:

Color

Sound Mix:

Dolby | Stereo

Certification:

Netherlands:12 | Iceland:12 | Finland:K-12 | Argentina:16 | France:U | Portugal:M/12 | Singapore:PG | Spain:13 | UK:12 | USA:R

Filming Locations:

Ealing Studios, Ealing, London, England, UK

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Bob Hoskins was originally set to direct as well.

Quotes:

Stevie: Then... then what... what are they there for, Winnie?
Winnie: The police are there so as them as have nothing can't take nothing away from them as have a lot.

Movie Connections:

Referenced in Aliens vs. Predator 2 (2001) (VG)

A masterpiece movie version of a great work of art by Joseph Conrad.

Joseph Conrad was a visionary. He realized that the society in which we live is imperfect and hypocritical. Over one hundred years ago he realized, as did Herman Melville and other great thinkers, that women do not enjoy an equal stature with men in society. So he chose to write a great novel that deals with this issue both subtly and forcefully. The Secret Agent is not what it may seem to some to be upon first reading or viewing -- i.e., a spy thriller. On the contrary, it is an in-depth analysis and portrayal of the relative powerlessness of most women in society. It does not preach. It does not advocate. Conrad leaves it up to the reader (or viewer in the case of the excellent movie version) to draw whatever conclusions are pertinent for that person. Thus it is art, because it creates an enduring impression that seems to come from the reader's or viewer's own mind.

The movie version is superbly acted by a cast of master actors who quite clearly are very pleased to be participating with each other in creating this masterpiece movie. One gets the impression that each of the "lucky" actors has great respect for the book and its author and its messages, much as many Shakespearean players do when they "give their all" for the play.

The result is a realistic heart-wrenching tragedy. This may explain why it is not favored among common moviegoers that want and expect a Hollywood happy ending. Instead they get the real world, superbly depicted.

If you want fun, don't view this film. If you want to be challenged intellectually and ethically, then by all means watch it several times. And then tell your serious-minded friends and acquaintances about the existence of this movie. They will thank you!

Professor JimBob