Country of My Skull (2004)

Director:

John Boorman

Writers (WGA):

Antjie Krog (book)
Ann Peacock (screenplay)

Release Date:

7 May 2004 (Italy)

Genre:

Drama

Tagline:

A South African Story of Truth, Love and Reconcilliation

Plot:

Langston Whitfield is a Washington Post journalist. His editor provocatively sends him to South Africa...

Plot Keywords:

Interracial Relationship | South Africa

Awards:

2 nominations

Cast

Samuel L. Jackson	...	Langston Whitfield
Juliette Binoche	...	Anna Malan
Brendan Gleeson	...	De Jager
Menzi Ngubane	...	Dumi Mkhalipi (as Menzi 'Ngubs' Ngubane)
Sam Ngakane	...	Anderson
Aletta Bezuidenhout	...	Elsa
Lionel Newton	...	Edward Morgan
Langley Kirkwood	...	Boetie
Owen Sejake	...	Reverend Mzondo
Harriet Lenabe	...	Albertina Sobandia (as Harriet Manamela)
Louis Van Niekerk	...	Willem Malan
Jeremiah Ndlovu	...	Old Man in Wheelbarrow
Fiona Ramsey	...	Felicia Rheinhardt (as Fiona Ramsay)
Dan Robbertse	...	De Smidt (as Daniel Robbertse)
Robert Hobbs	...	Van Deventer

Also Known As:

Guilt, Sorrow, and the Limits of Forgiveness in the New South Africa (UK) (working title)
In My Country (USA)
Truth (UK) (working title)

MPAA:

Rated R for language, including descriptions of atrocities, and for a scene of violence.

Runtime:

105 min

Country:

UK | Ireland | South Africa

Language:

English | Afrikaans

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

UK:15 | Germany:12 | Canada:14A (Ontario) | Argentina:13 | Mexico:B15 | Brazil:16 | Sweden:15 | Australia:M | Switzerland:14 (canton of Zurich) | Singapore:NC-16 | USA:R

Filming Locations:

South Africa

Company:

Chartoff Productions

Quotes:

[first lines]
Nelson Mandela: Never, never, and never again shall it be that this beautiful land will again experience the oppression of one by another.

Movie Connections:

Referenced in "The South Bank Show: John Boorman (#28.18)" (2005)

Soundtrack:

Uthando

magnificent multi-layering

I thought this movie did very well in exploring many different relationships and story lines. Above all, this movie asked all of the hard questions and brought into light a lot of truth that a lot of people don't like to look at.

The African sense of justice is about reconciliation, not revenge. By using the testimonials of several individuals, this movie was very educational. The healing that was allowed to happen within the process of reconciliation was very inspirational. Their sophisticated system made a lot of sense to me, and seems much more advanced than systems employed where i live in the US.

The relationship between Langston and Anna brought a political story to a personal level. It was beautiful to see Anna come to terms with her own sense of responsibility, being a white south African who had known of the atrocities, but had done nothing to stop them. Langston forced her to examine her position, but was also there to support her when she felt crushed by the enormity. Their acting was very convincing and skillful. I especially loved the scene where Anna attacked Langston, but thought the actual sex scene could have been more believable.

One character I haven't seen anyone comment on is Anna'a assistant, Dumi. This character brought the story to yet another level. He was the classic joker with hidden depths. His character communicated to the audience that nothing is black or white; nothing is simple; really it's all endlessly complex.

In fact, this story was anything but one-sided. It showed many masks that individuals wear in specific situations. It communicated so much about humanity, both as individuals and as members of a larger society. I find it quite relevant to my experience as a white American who knows my government is responsible for the suffering of multitudes at this moment in time, and I feel responsible and helpless at the same time.

A man who sat behind me in the theater kept telling his girlfriend he wanted to leave because it was unpleasant. Yes, it is unpleasant, if you're the type of person who doesn't like to look at reality. But what I cam away with from the movie was a feeling of awe about humanity's capacity for compassion.