| Photos (see all 7 | slideshow) |
| Julia Fletcher | ... | The Instructor (voice) | |
| Dane A. Davis | ... | 01 Versatran Spokesman (voice) (as Dane Davis) | |
| Debi Derryberry | ... | Kid (voice) | |
| Jill Talley | ... | Mother / Additional Voices (voice) | |
| Dwight Schultz | ... | Additional Voices (voice) | |
| James Arnold Taylor | ... | Additional Voices (voice) |
Directed by | |||
| Mahiro Maeda | |||
Writing credits(in alphabetical order) | ||
| Andy Wachowski | writer | |
| Larry Wachowski | writer | |
Original Music by | |||
| Don Davis | |||
Casting by | |||
| Jack Fletcher | |||
Art Direction by | |||
| Atsushi Morikawa | |||
Sound Department | |||
| Michael Edward Johnson | .... | supervising sound editor | |
Animation Department | |||
| Hideki Futamura | .... | animation director | |
| Hideki Futamura | .... | character designer | |
| Mahiro Maeda | .... | animation director | |
| Mahiro Maeda | .... | character designer | |
| Mahiro Maeda | .... | mechanical designer | |
Other crew | |||
| Jack Fletcher | .... | voice director | |
| Yoshikazu Miyao | .... | additional mechanical designer | |
| Range Murata | .... | additional mechanical designer (as Renji Murata) | |
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| The Matrix | Wonderful Days | The Second Renaissance Part I | Final Flight of the Osiris | WALL·E |
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| Full cast and crew | Company credits | External reviews |
| IMDb Animation section | IMDb USA section | Add this title to MyMovies |
With the robot city isolated and it's ambassadors ejected from the United Nations, a trade war begins to protect the human economy from superior products. When the trade war escalates into war the machines begin a seemingly unstoppable march across the globe. With solutions running out man darkens the sky to try and shut out the machine's main energy source, but the machines keep coming and the war for earth reaches it's horrifying conclusion.
The second part of the history of the Matrix leaves aside the civil unrest and political build up and launches straight into the war for earth. Where part 1 used fictional news footage to good effect, here the main use is cameras belonging to the human soldiers. The violence, terror and speed of the war is well brought out and I found myself unable to look away as it was really gripping. Some of it is very gory but the overall impression is that man was overcome by sheer weight of numbers.
As a sister to the films this works very well. You don't need to have seen this short to understand the film but it enriches your experience. Unlike some of the other shorts that you do need to see to understand the films (or bits of them anyway). The animation is very frantic and very slick and the thing is pure style with the strong substance.
Overall it is easy to dismiss this but it does have enough style of it's own to justify it's existence as a short in it's own right. It suggests that (unlike many blockbusters) this trilogy (for all it's flaws) was established in a world that was planned rather than one which was expanded when the box office suggested that it would be a good idea to try to do so.