| Photos (see all 1 | slideshow) |
| Romain Duris | ... | Arsène Lupin | |
| Kristin Scott Thomas | ... | Joséphine | |
| Pascal Greggory | ... | Beaumagnan | |
| Eva Green | ... | Clarisse | |
| Robin Renucci | ... | Dreux-Soubise | |
| Patrick Toomey | ... | Léonard | |
| Mathieu Carrière | ... | Duc d'Orléans | |
| Philippe Magnan | ... | Bonnetot | |
| Marie Bunel | ... | Henriette Lupin | |
| Nicky Naude | ... | Théophraste | |
| Guillaume Huet | ... | Arsène enfant | |
| Françoise Lépine | ... | Duchesse | |
| Christophe Laubion | ... | Le brigadier | |
| Adèle Csech | ... | Clarisse enfant | |
| Eric Vanzetta | ... | Gendarme 1 (as Vanzetta) | |
| Hervé Falloux | ... | Le maître d'hôtel | |
| Sonia Dufeu | ... | La soubrette | |
| Jessica Boyde | ... | La femme aux diamants | |
| Alain Cauchi | ... | Le capitaine paquebot | |
| Laurent Besançon | ... | Le second du capitaine | |
| Rémy Roubakha | ... | Gendarme hospice | |
| Michel Dourienne | ... | Le curé | |
| Philippe Lemaire | ... | Cardinal d'Etigues | |
| Valérie Decobert | ... | La comédienne du train | |
| Simon Delétang | ... | Le croupier | |
| Stéphane Foenkinos | ... | Le conservateur | |
| François Monnié | ... | Le gardien du musée | |
| Arthur Dupont | ... | Le vendeur de journaux | |
| Xavier Beauvois | ... | Le médecin | |
| Gérard Chaillou | ... | M. Kasselbach | |
| Gaëlle Vincent | ... | La métisse | |
| Alain Figlarz | ... | L'apache | |
| Jean-François Gallotte | ... | Le majordome | |
| Pierre Aussedat | ... | Louis Desfontaines | |
| Philippe Laudenbach | ... | Le préfet | |
| Anne Suarez | ... | Eglantine | |
| Aurélien Wiik | ... | Jean Lupin | |
| rest of cast listed alphabetically: | |||
| Derrick Brenner | ... | Archduke's Bodyguard (uncredited) | |
| Marie-Thé Colmagne | ... | Une parisienne (uncredited) | |
| Arnaud Klein | ... | Un officier (uncredited) | |
| Victor Loukianenko | ... | Un bourgeois (uncredited) | |
Directed by | |||
| Jean-Paul Salomé | |||
Writing credits | ||
| Jean-Paul Salomé | (scenario) and | |
| Laurent Vachaud | (scenario) | |
| Maurice Leblanc | (novel "La comtesse de Cagliostro") | |
| Nicolas Saada | (script collaborator) | |
Produced by | |||
| Emmanuelle Balestrieri | .... | production administrator | |
| Christopher Granier-Deferre | .... | co-producer | |
| Stéphane Marsil | .... | executive producer | |
| Stéphane Marsil | .... | producer | |
| Alain Peyrollaz | .... | line producer | |
Original Music by | |||
| Debbie Wiseman | |||
Cinematography by | |||
| Pascal Ridao | |||
Film Editing by | |||
| Marie-Pierre Renaud | |||
Casting by | |||
| Stéphane Foenkinos | |||
| Louis Hammond | |||
Production Design by | |||
| Françoise Dupertuis | |||
Art Direction by | |||
| Pierre Michon | |||
Set Decoration by | |||
| Denis Barbier | |||
Costume Design by | |||
| Pierre-Jean Larroque | |||
Makeup Department | |||
| Sylvie Aid | .... | additional makeup artist | |
| Eve Aknin | .... | additional makeup artist | |
| Jan Archibald | .... | hair designer | |
| Frédérique Arguello | .... | hair stylist | |
| Stéphanie Asnarez | .... | additional makeup artist (as Stéphanie Aznarez) | |
| Séverine Bellembois | .... | additional hair stylist | |
| Catherine Damiani | .... | additional makeup artist (as Cathy Damiani) | |
| Josiane Delcourt | .... | additional hair stylist | |
| Christine Dendeleuf | .... | additional hair stylist | |
| Kathy Ducker | .... | key makeup artist | |
| Nadine Dumas | .... | additional hair stylist | |
| Claudine Dumortier | .... | additional hair stylist | |
| Chantal Durpoix | .... | additional hair stylist | |
| Bettina Keller | .... | key hair stylist (as Bettina Keller-Miquaix) | |
| Alexis Kinebanyan | .... | sfx makeup artist | |
| Delphine Lacaze | .... | additional hair stylist | |
| Brigitte Laurent | .... | key hair stylist | |
| Benoît Lestang | .... | special makeup effects artist | |
| Marie Luiset | .... | additional makeup artist | |
| Mario Messere | .... | additional hair stylist | |
| Jacques-Olivier Molon | .... | special makeup effects artist | |
| Claire Monatte | .... | additional makeup artist | |
| Julien Naudet | .... | additional hair stylist | |
| Frédérique Ney | .... | key makeup artist | |
| Christina Öhlund | .... | assistant hair designer (as Kristina Ohlund-Lago) | |
| Dorota Okulicz | .... | additional makeup artist | |
| Cécile Pellerin | .... | makeup artist | |
| Véronique Pfluger | .... | additional hair stylist (as Véronique Fluger) | |
| Emmanuel Pitois | .... | special makeup effects artist | |
| Tony Rocchetti | .... | key hair stylist | |
| Barbara Schneider | .... | additional makeup artist | |
| Geoffroy Selley | .... | sfx makeup artist (as Geoffroy Selley) | |
| Hovette Stephanie | .... | wig maker | |
Production Management | |||
| Sylvie Demaizière | .... | assistant unit manager | |
| Sylvie Demaizière | .... | assistant unit production manager | |
| Henri Deneubourg | .... | assistant unit manager | |
| Benjamin Dewaele | .... | assistant unit manager | |
| Jérôme Emmanuelidis | .... | assistant unit manager | |
| Etienne Grandon | .... | assistant unit manager | |
| Marie-Line Lafont | .... | post-production supervisor | |
| Philippe Lelièvre | .... | assistant unit manager | |
| Sophie Moulin | .... | unit manager trainee | |
| Alain Peyrollaz | .... | production supervisor | |
| Clément Sentilhes | .... | production manager | |
| Jérôme Servant | .... | assistant unit manager | |
| Antoine Théron | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Felix Baudouin | .... | second assistant director: second unit | |
| Felix Baudouin | .... | second second assistant director | |
| Ludovic Bernard | .... | first assistant director | |
| Marion Garde | .... | trainee assistant director | |
| Stéphane Malhuret | .... | second assistant director | |
| Alain Peyrollaz | .... | second unit director | |
Sound Department | |||
| Fabienne Chalendard | .... | assistant sound editor | |
| Jeremy Cullen | .... | sound recordist | |
| Ludovic Escallier | .... | sound re-recording mixer | |
| Vincent Goujon | .... | assistant sound | |
| Vincent Guillon | .... | sound editor | |
| Dean Humphreys | .... | sound re-recording mixer | |
| Craig Irving | .... | sound re-recording mixer | |
| Benjamin Laurent | .... | second boom operator | |
| Edouard Murcier | .... | post-synchronization director | |
| Graham Nieder | .... | sound maintenance | |
| Laurent Poirier | .... | sound mixer | |
| Laurent Poirier | .... | sound | |
| Soazic Veillon | .... | dialogue editor | |
| Christopher Wilson | .... | assistant to re-recording mixer (as Chris Wilson) | |
Special Effects by | |||
| Olivier Cohen-Bacri | .... | special effects props: rain | |
| Jean-Claude Dauphinot | .... | special effects advisor | |
| Grégoire Delage | .... | special effects: explosions | |
| Franck Delamotte | .... | special effects: rain (as Franck de La Motte) | |
| Georges Demétrau | .... | special effects supervisor: mechanical effects | |
| Denis Duplex | .... | special effects assistant: explosion | |
| Max Garnier | .... | special effects props | |
| Michel Gery | .... | special effects props: rain | |
| Dominique Granger | .... | special effects: explosions | |
| Sara Helminger | .... | special effects props (as Sara Helmlinger) | |
| Daniel Lenoir | .... | special effects: rain | |
| Jérome Miel | .... | special effects props | |
Visual Effects by | |||
| Odile Beraud | .... | scan and shoot | |
| Rodolphe Chabrier | .... | visual effects supervisor | |
| Gisèle Courcoux | .... | scan and shoot | |
| Sebastien Gombeaud-Saintonge | .... | Flame artist: Mac Guff Ligne, Paris | |
| Pierre Gosset | .... | digital compositor | |
| Sébastien Guyot | .... | scan and shoot | |
| Christophe Keichinger | .... | scan and shoot | |
| Robert Kfoury | .... | scan and shoot | |
| David Montoya | .... | scan and shoot | |
| Christophe Sabre | .... | scan and shoot | |
| Gérard Soirant | .... | scan and shoot | |
| Philippe Sonrier | .... | digital effects artist | |
| Vincent Wauters | .... | digital artist | |
Camera and Electrical Department | |||
| Jérôme Alméras | .... | Steadicam operator | |
| Jérôme Alméras | .... | camera operator: second unit | |
| Sarah Couvelaire | .... | first assistant camera: second unit | |
| Marine Delcourt | .... | second assistant camera | |
| Xavier Embry | .... | best boy grip | |
| Thierry Engler | .... | electrician | |
| Yannick Esteffe | .... | additional grip | |
| Julien Fillon | .... | additional electrician | |
| Eric Gosselin | .... | grip | |
| Emmanuel Hauvel | .... | electrician | |
| Pascal Henin | .... | additional electrician | |
| Colin Houben | .... | first assistant camera | |
| Dominique Legueux | .... | key grip | |
| Sophie Leonetti | .... | additional second assistant camera | |
| Rachid Madaoui | .... | gaffer | |
| Charlet Recors | .... | helicopter camera operator | |
| Bruno Roza | .... | grip | |
| Maryline Touret | .... | video assistant | |
| Thierry Valletoux | .... | still photographer | |
| Sebastian Vaysse | .... | electrician | |
| Antoine Vidal | .... | crane operator | |
Casting Department | |||
| Myriam Chetouane | .... | casting intern | |
| David Hagège | .... | assistant extras casting | |
| Max Mutel | .... | casting assistant: children (as Max Loyon-Mutel) | |
| Virginie Nallet | .... | casting intern | |
| Michael Perrot | .... | casting assistant | |
| Emmanuelle Prévost | .... | casting assistant: children | |
| Marion Tenet | .... | extras casting | |
Costume and Wardrobe Department | |||
| Guillaume Attwood | .... | additional dresser | |
| Renata Bicz-Bouchaux | .... | dresser | |
| Gilles Bodu-Lemoine | .... | key costumer | |
| Nathalie Chesnais | .... | additional costumer | |
| Caroline Condat | .... | additional costumer | |
| Christine Demétrau | .... | additional dresser | |
| Sophie Dieu | .... | additional dresser | |
| Pui Laï Huam | .... | costumer | |
| Pricilia Lourenço Da Silva | .... | trainee dresser | |
| Alicia Maistre | .... | additional costumer | |
| Lorenzo Mancianti | .... | additional costumer | |
| Brigitte Masson | .... | costumer | |
| Laurence Nicolas | .... | additional dresser | |
| Gil Noir | .... | additional costumer | |
| Hervé Odiard | .... | costume intern | |
| Véronique Portebois | .... | dresser | |
| Maritza Reitzman | .... | additional costume designer | |
| Frédérique Santerre | .... | costumer | |
Editorial Department | |||
| Serge Anthony | .... | color timer | |
| Catherine Athon | .... | post-production coordinator | |
| Denis Bedlow | .... | first assistant editor | |
| Christophe Boutigny | .... | assistant conforming editor | |
| Nicolas Criqui | .... | digital conformation | |
| Olivier Dassonville | .... | color timer | |
| Beatrice Fraschini | .... | post-production coordinator | |
| Enrica Gattolini | .... | second assistant editor | |
| Isabelle Julien | .... | color timer | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
Music Department | |||
| Mathieu Chedid | .... | composer: title song (as M) | |
| Crouch End Festival Chorus | .... | musician: choir | |
| Edouard Dubois | .... | music supervisor | |
| Steve Price | .... | score mixer | |
| Yannick Vergne | .... | music editor | |
| Tony Wharmby | .... | copyist | |
| Debbie Wiseman | .... | conductor | |
Other crew | |||
| Emmanuelle Balestrieri | .... | cost controller | |
| Tahar Boualam | .... | groupman | |
| Jean-Sébastien Bressy | .... | extras wrangler | |
| Wayne Byers | .... | coach: deportment | |
| Albert Daly | .... | administrator: UK | |
| Kerri Daly | .... | administrator: UK | |
| Gilles de Brossard | .... | production assistant: UK | |
| Alexandre de la Caffinière | .... | coach: waltz | |
| Anne-Françoise de Lapisse | .... | additional production administrator | |
| Caroline Dieusaert | .... | production assistant | |
| Émilie Frigola-Salelles | .... | production intern | |
| Karine Gozzi | .... | trainee script supervisor | |
| Béatrice Humbert | .... | location manager | |
| Stephan Joberns | .... | auditor: UK | |
| Sylvie Lalanne | .... | production administrator | |
| Laurence Lemaire-Bazi | .... | script supervisor (as Laurence Lemaire) | |
| Marc Leroyer | .... | assistant armorer | |
| Stefan Leyshon | .... | coach: magic | |
| Christophe Maratier | .... | armorer | |
| Anne Nathan | .... | personal assistant: Kristin Scott Thomas | |
| Arnaud Plé | .... | production administrator | |
| José Sako | .... | location manager | |
| Harmel Sbraire | .... | coach: actors (as Armelle Sbraire) | |
| Nicolas Sislian | .... | assistant armorer | |
| Octavio Tapia | .... | production intern (as Octavio Tapia Lloret) | |
| Sandy Whitelaw | .... | script translator: English | |
Thanks | |||
| Philippe Lemaire | .... | in memory of | |
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| Full cast and crew |
This is really an amazing film. I watched it only in French with French subtitles as my friends whom i am staying with are French speaking. Like the majority of European films i have seen, it is superior to what has and is coming out of Hollywood. From the start, it is gripping. The audience are taken on a ride of suspense to the last moment. Twists and turns in the plot, unpredictable things happen. The casting is good. I am familiar with Kristen Scott Thomas. I knew she spoke French as i understand she lives there, but her French accent is quite amazing. I could here English accent on some occasions, but it was so subtle that it was hardly noticeable. Her casting in this film was so contrary to type that i had seen in other films. It was so refreshing. The action scenes were again amazing. So well choreographed and still almost believable and realistic. The original idea originates from an animated book, which makes it ambiguous and sets it apart from a lot of other films in the similar genre. Films based upon Comic books are being done to death in Hollywood, and i am trying to avoid them. I am glad that this was made by European Film makers, not Americans, otherwise it would have been almost painful to watch. The romance that develops is another interesting addition to the plot. All of these little things, develop well and come together. The choice of location was again just perfect for the scenes and the setting of the film in the mid to late 19th Century made it quite unique. A very clever film, which is definitely worth watching.