Plot:
As the reappearance of 4,400 missing persons on a single day confounds the global community, federal agents on the case slowly discover the ways in which the victims have been changed.
full summary
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| Ira Steven Behr | .... | executive producer (42 episodes, 2004-2007) |
| Scott Peters | .... | executive producer / co-executive producer (42 episodes, 2004-2007) |
| Maira Suro | .... | executive producer (42 episodes, 2004-2007) |
| Ben Brafman | .... | associate producer (20 episodes, 2006-2007) |
| Kathy Gilroy-Sereda | .... | producer (20 episodes, 2006-2007) |
| Craig Sweeny | .... | supervising producer / producer (20 episodes, 2006-2007) |
| Mark Kruger | .... | producer (13 episodes, 2007) |
| Robert Hewitt Wolfe | .... | consulting producer (12 episodes, 2004-2007) |
| Darcy Meyers | .... | supervising producer (7 episodes, 2006) |
| Bruce Miller | .... | co-executive producer (7 episodes, 2006) |
| Perry Simon | .... | executive producer (7 episodes, 2006) |
| René Echevarria | .... | executive producer (5 episodes, 2004) |
| William Redner | .... | co-producer / consulting producer (5 episodes, 2004) |
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| Frederick Rappaport | .... | consulting producer (unknown episodes) |
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| Robert K. Smith | .... | property master (27 episodes, 2005-2007) |
| G. Andrew Hussey | .... | lead set dresser (24 episodes, 2005-2006) |
| Simone Gore | .... | graphics (24 episodes, 2006-2007) |
| Clare Davis | .... | construction coordinator (17 episodes, 2005-2007) |
| Cherie Kroll | .... | graphic designer (12 episodes, 2005) |
| Todd Keller | .... | on-set dresser (12 episodes, 2006) |
| Sandra Baier | .... | props (10 episodes, 2005-2007) |
| Kate Heslup | .... | art department assistant (7 episodes, 2007) |
| Bob Levesque | .... | property master (6 episodes, 2007) |
| Clive Edwards | .... | property master (5 episodes, 2004) |
| Colin Meacham | .... | set dresser (5 episodes, 2004) |
| Samantha Schell | .... | props (5 episodes, 2004) |
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| Nelson Dewey | .... | storyboard artist (unknown episodes) |
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| Anke Bakker | .... | sound supervisor / sound (37 episodes, 2005-2007) |
| Megan Goudsward | .... | background sound editor (25 episodes, 2004-2006) |
| Bill Mellow | .... | sound re-recording mixer / re-recording mixer (24 episodes, 2006-2007) |
| Joshua Stevenson | .... | assistant dialogue editor (22 episodes, 2006-2007) |
| Brian Campbell | .... | dialogue editor (21 episodes, 2006-2007) |
| Ken Cade | .... | sound designer / sound effects editor (18 episodes, 2004-2007) |
| Lars Ekstrom | .... | sound mixer / production sound mixer (16 episodes, 2005-2006) |
| Mike Paprocki | .... | sound effects editor (16 episodes, 2006-2007) |
| Iain Pattison | .... | sound re-recording mixer (14 episodes, 2004-2007) |
| Mike Gardner | .... | boom operator (12 episodes, 2005) |
| Kevin Konarzewski | .... | adr mixer (12 episodes, 2005) |
| Darryl Marko | .... | sound assistant (12 episodes, 2005) |
| Kelly Cole | .... | sound re-recording mixer / re-recording mixer (12 episodes, 2006-2007) |
| Glen Noseworthy | .... | adr mixer (12 episodes, 2006) |
| Michael T. Williamson | .... | production sound mixer (10 episodes, 2007) |
| Matt Dawson | .... | adr mixer (8 episodes, 2007) |
| Belinda Pattison | .... | assistant sound editor (7 episodes, 2007) |
| Todd R. Mason | .... | sound effects recordist (5 episodes, 2004) |
| Kevin Belen | .... | adr recordist / sound re-recording mixer (4 episodes, 2004-2007) |
| Alex Raspa | .... | adr mixer: New York (4 episodes, 2004) |
| Paul A. Sharpe | .... | sound re-recording mixer (3 episodes, 2004-2007) |
| Dave Hibbert | .... | sound re-recording mixer (3 episodes, 2004) |
| David M. Cyr | .... | production sound mixer (3 episodes, 2007) |
| Joe Watts | .... | sound re-recording mixer (3 episodes, 2007) |
| Steve Schatz | .... | adr mixer (2 episodes, 2004) |
| Graeme Hughes | .... | sound re-recording mixer (2 episodes, 2006) |
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| Kris Casavant | .... | sound editor (unknown episodes) |
| Mark Klausmayer | .... | sound re-recording mixer (unknown episodes) |
| Adam Sharpe | .... | adr mixer / sound re-recording mixer (unknown episodes) |
| Carmen Verin | .... | sound assistant (unknown episodes) |
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| Roberto Biagi | .... | visual effects supervisor (32 episodes, 2005-2007) |
| Tom Tennisco | .... | digital compositor / visual effects / ... (4 episodes, 2006-2007) |
| Derek Wolfe | .... | visual effects (3 episodes, 2005-2006) |
| Tom Archer | .... | digital compositor (3 episodes, 2005) |
| Blake Anderson | .... | digital effects artist / visual effects (2 episodes, 2005) |
| Sherri Rogers | .... | texture artist: Atmosphere VFX (2 episodes, 2005) |
| Nadine Blackler | .... | digital compositor (2 episodes, 2006-2007) |
| Keegan Douglas | .... | lead compositor (2 episodes, 2007) |
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| John Cairns | .... | digital compositor (unknown episodes) |
| Andrew Karr | .... | CG supervisor (unknown episodes) |
| Jaye Krebs | .... | digital compositor (unknown episodes) |
| Brenda Levert | .... | visual effects producer: Northwest Imaging & FX (unknown episodes) |
| Todd Liddiard | .... | digital compositor (unknown episodes) |
| Daniel Osaki | .... | lead modeler (unknown episodes) |
| Noel Wright | .... | compositor (unknown episodes) |
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| Seán Travers | .... | colorist: opening titles (27 episodes, 2004-2006) |
| Jennifer Pearson | .... | first assistant editor / assistant editor (20 episodes, 2004-2007) |
| James Lawson | .... | assistant editor (14 episodes, 2005-2007) |
| Achim Kapitza | .... | colorist (13 episodes, 2004-2007) |
| Leah Blesi | .... | post-production assistant (13 episodes, 2007) |
| Shae Salmon | .... | first assistant editor (2 episodes, 2004) |
| Kirk Hay | .... | assistant editor / post-production assistant (2 episodes, 2006-2007) |
| Anne Marie McGinn | .... | post-production coordinator (2 episodes, 2006) |
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| Josephine Ochej | .... | assistant: Scott Peters / production associate / ... (42 episodes, 2004-2007) |
| Adam Levy | .... | assistant to executive producer / assistant to executive producers (18 episodes, 2004-2007) |
| Michelle Almaz Tadege | .... | production coordinator (18 episodes, 2006-2007) |
| Amy Berg | .... | executive story editor / story editor (18 episodes, 2006-2007) |
| Clark Candy | .... | production coordinator (18 episodes, 2006-2007) |
| Andrew Colville | .... | executive story editor / story editor (18 episodes, 2006-2007) |
| Kymn Brettoner | .... | production accountant (17 episodes, 2006-2007) |
| Wendy Mclean | .... | script supervisor (16 episodes, 2004-2007) |
| Neil Levin | .... | script coordinator (14 episodes, 2006-2007) |
| Neil Williams | .... | script coordinator (14 episodes, 2006-2007) |
| Scott Steyns | .... | playback coordinator (12 episodes, 2005) |
| Paul Jasper | .... | animal coordinator (12 episodes, 2006) |
| Nelly Hugh-Jones | .... | assistant to executive producer (12 episodes, 2007) |
| Sabrina Karine | .... | production assistant (11 episodes, 2005-2006) |
| Elisha Schaff | .... | production assistant (7 episodes, 2007) |
| Dennis Swartman | .... | location manager (7 episodes, 2007) |
| Danny McWilliams | .... | location manager (6 episodes, 2007) |
| Nathan Holley | .... | production assistant (5 episodes, 2004) |
| Jessica Brajoux | .... | production assistant (5 episodes, 2005-2006) |
| Marcus Goodwin | .... | production assistant (5 episodes, 2006) |
| Rafe Judkins | .... | assistant to writers (5 episodes, 2006) |
| David Sperber | .... | publicist (5 episodes, 2007) |
| Helga Ungurait | .... | script supervisor (5 episodes, 2007) |
| Lukasz Madziag | .... | office production assistant (4 episodes, 2005-2007) |
| Tim Haughian | .... | location manager (3 episodes, 2004) |
| Jeff Pickett | .... | assistant to executive producer (3 episodes, 2006-2007) |
| Allan J. Ross | .... | key production assistant (2 episodes, 2004) |
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| Michael Bendner | .... | production assistant (unknown episodes) |
| Kerri Boyce | .... | accounting assistant (unknown episodes) |
| Ron Buck | .... | police technical advisor (unknown episodes) |
| Byron Drinkle | .... | playback coordinator (unknown episodes) |
| Dana Dubé | .... | animal trainer (unknown episodes) |
| Dani Elias | .... | assistant to producer (unknown episodes) |
| Luke King | .... | key production assistant (unknown episodes) |
| Dan Kuzmenko | .... | assistant location manager (unknown episodes) |
| Nathan Lomax | .... | production assistant (unknown episodes) |
| Sheri Mayervich | .... | location manager (unknown episodes) |
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Trivia:
The address of The 4400 Center, 6265 Crescent Road, is the same as The Chan Centre for the Performing Arts, University of British Columbia, Vancouver.
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Quotes:
Diana Skouris:
Mister Tyler, I know you're trying to protect your family. But you have to realize that by staying here, you could be putting yourself in serious danger.
Richard Tyler:
Maybe. But you know, I was born in 1922 - in Missouri. And my skin was black then as it is now. So I've had to worry about fire bombings, and lynchings and beatings my entire life. If there's anything I've learned, it's this. Eventually a man's gotta take a stand. I'm making mine right here.
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I actually quite enjoyed the first series. I was compelled to watch through to the final episode to see the characters story arc's develop.
Yes there are the typical Sci-fi clichés (maybe 4400 by the time the show is finished?). But I would say that this is a Sci-fi show and not a Sci-fact show, and by it's very nature it's a work of fiction, thus real world science doesn't really matter or nessecarily apply.
The scene the first post was alluding to was (I'm sure) not intended to be a dazzling display of the script writers grasp of near and outer orbital rocket science, but a characterization of both the governmental paranoia and hopeless desperation that humans can exhibit when faced with seemingly futile situations.
Personally, I don't think the acting is too bad, yes it does smack of countless other Sci-fi shows and draws heavily on many common themes running through all Sci-fi series, but what shows don't? There is little originality in Sci-fi these days, but the premise of this show is at least relatively unexplored.
How many shows do you know that effectively try to portray the multitude of challenges that face abductees when they try to re-integrate into a society that seemingly doesn't want them, can't understand them or are jealous of them?
Comparisons are inevitable, but when you're subconsciously thinking "Mulder and Scully" or "Rouge and Wolverine" while you are watching supposedly new characters then as a script writer you've got to try to distance yourself from what could easily be considered as stereotypes. This is probably my greatest (and only real) criticism.
If the script writers were just a little less derivative, and a bit more adventurous then I think we have a winner.
P.S. Oh, and they need to stop the re-caps at the start of every darn episode, the fast forward button on my Tivo's getting worn out as it is.
Mqark.