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Hostel
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Hostel (2005)

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User Rating: 5.7/10 (48,253 votes)
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Overview

Director:
Eli Roth
Writer (WGA):
Eli Roth (written by)
Release Date:
6 January 2006 (USA) more view trailer
Genre:
Horror | Thriller more
Tagline:
Welcome To Your Worst Nightmare more
Plot:
Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them. full summary | add synopsis
Awards:
4 wins & 5 nominations more
NewsDesk:
(28 articles)
More Rock and Shock Guests Announced (From Dread Central. 17 July 2008, 9:44 PM, PDT)
New Spoiler-Heavy Quarantine Theatrical Trailer?! (From Icons of Fright. 9 July 2008, 3:18 PM, PDT)
User Comments:
Moral Choices and the Dark Side of Humanity more

Cast

  (in credits order) (complete, awaiting verification)

Jay Hernandez ... Paxton
Derek Richardson ... Josh

Eythor Gudjonsson ... Oli

Barbara Nedeljakova ... Natalya
Jan Vlasák ... The Dutch Businessman
Jana Kaderabkova ... Svetlana
Jennifer Lim ... Kana
Keiko Seiko ... Yuki
Lubomir Bukovy ... Alex
Jana Havlickova ... Vala
Rick Hoffman ... The American Client
Petr Janis ... The German Surgeon
Takashi Miike ... Miike Takashi
Patrik Zigo ... Bubble Gum Gang Leader (as Zigo Patrik)
Milda Jedi Havlas ... Desk Clerk Jedi
Martin Kubacák ... The Scarred Cab Driver
Miroslav Táborský ... The Friendly Police Officer
Paula Wild ... Monique
Vladimir Silhavecky ... Yuri
Barbora Oboznenkova ... Disco Girl

Daniel S. Frisch ... Fanny Pack Man (as Daniel Frisch)
Radomil Uhlir ... The Stoned Manager
Jan Spanbauer ... Jacket Man
Mirek Navratil ... Dutch Bouncer
Vanessa Jungova ... Saskia
Katerina Vomelova ... Dominique
Lubos Vinicky ... Angry Dutch Elf
Petr Sedlacek ... The Toothless Cab Driver
Drahoslav Herzan ... Bob
Daniela Bakerova ... Older Woman
Martina Kralickova ... Pretty Woman
Ota Filip ... Muttonchop
Jakub Habarta ... Slovak Bus Boy

Philip Waley ... Alfie
Mark Taylor ... Brucey
Nick Roe ... Stan
Roman Janecka ... Bottle Thrower
Natali Tothova ... Natalya Shemp
Petra Kubesova ... Svetlana Shemp
David Baxa ... Museum Tortury Guard (as Lord David Baxa)
Gabriel Roth ... Sir Robert Wappus
Miroslav Hanus ... The Nasty Police Officer

Christopher Allen Nelson ... Dutch Police Officer
Josef Bradna ... The Butcher
Zina Blahusova ... Girl
Katerina Cervenkova ... Girl
Veronika Petrova ... Girl
Kristina Kosunova ... Girl
Karel Hrosek ... Girl
Mugi Lhagvadorj ... Girl
Ashley Robbins ... Girl (as Jana Semradova)
Hana Dibelkova ... Girl
Alena Chrastinova ... Girl
Klara S. ... Girl (as Klara Smetanova)
Petra Slavikova ... Girl
Katrina Henesova ... Girl
Hana Vitvarova ... Girl
Mark Bakunas ... Rock God
rest of cast listed alphabetically:
Stephanie Bauman ... Axelle's Next Victim #1 (uncredited)
Martin Faltyn ... Senior Cozzi (uncredited)

Samantha Jordanova ... Girl (uncredited)
Michaela Kaplanova ... Todd's Hooker (uncredited)

Eli Roth ... American Stoner (uncredited)
Iveta Rucka ... Stuart's Hooker (uncredited)
Karel Vanásek ... Devilku Puppet (uncredited)
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Directed by
Eli Roth 
 
Writing credits
(WGA)
Eli Roth (written by)

Produced by
Chris Briggs .... producer
Mike Fleiss .... producer
Daniel S. Frisch .... co-producer (as Daniel Frisch)
Eli Roth .... producer
Scott Spiegel .... executive producer
Quentin Tarantino .... executive producer
Philip Waley .... co-producer
Boaz Yakin .... executive producer
 
Original Music by
Nathan Barr 
 
Cinematography by
Milan Chadima 
 
Film Editing by
George Folsey Jr. 
 
Casting by
Filipp Grammatikos 
Sigrún Sól Ólafsdóttir  (Casting Director, Iceland) (as Sigrun Sol Olafsdottir)
Ivan Vorlícek 
Kelly Wagner 
 
Production Design by
Franco-Giacomo Carbone 
 
Art Direction by
David Baxa 
 
Set Decoration by
Karel Vanásek 
 
Costume Design by
Franco-Giacomo Carbone 
 
Makeup Department
Howard Berger .... on-set makeup effects artist
Howard Berger .... special makeup effects designer and creator
Jana Dopitová .... makeup artist
Klaudie Havlova .... additional makeup artist
Kveta Holasova .... additional makeup artist
Grady Holder .... mold department: K.N.B. EFX Group
Rini Lemanova .... key makeup artist
Lorraine Martin .... assistant makeup artist
Christopher Allen Nelson .... on-set makeup effects artist (as Chris Nelson)
Gregory Nicotero .... special makeup effects designer and creator
Andy Schoneberg .... makeup designer
Kevin Wasner .... on-set makeup effects artist
 
Production Management
Philip Waley .... unit production manager
Pavlina Zipkova .... production manager: Czech
 
Second Unit Director or Assistant Director
Roman Janecka .... first assistant director: Czech Republic
Roman Janecka .... second unit director
Petra Meisnerova .... third assistant director
Philip Seeger .... second assistant director
Mark Taylor .... first assistant director
 
Art Department
Milan Babik .... property master
Radan Kapinos .... stand-by props
Alice Kheilova .... assistant to art director
Martina Ter-Akopowá .... art department coordinator
 
Sound Department
Kami Asgar .... adr supervisor
Bob Beemer .... sound re-recording mixer
Tomas Belohradsky .... sound mixer
Brian Best .... supervising sound editor
Vincent Guisetti .... foley artist
Scott G.G. Haller .... supervising dialog editor
Pamela Kahn .... foley artist (as P.K. Spencer)
Tateum Kohut .... sound re-recording mixer
Herwig Maurer .... sound editor
Sean McCormack .... supervising sound editor
Fred Peck III .... sound re-recordist
Stuart Provine .... additional sound effects
Kyle Rochlin .... foley mixer
P.K. Spencer .... foley artist
Petr Stuchlík .... boom operator
Marcelo Teson .... sound editor
Tim Tuchrello .... sound editor
Pavel Vencl .... boom operator
 
Special Effects by
Ozzy Alvarez .... lab technician: K.N.B. EFX Group
Martin Mottl .... special effects technician
Martin Pryca .... special effects supervisor
Caleb Schneider .... special effects technician
Lindsay Vivian .... special effects runner
Jenny Wallace .... special effects runner
Kevin Wasner .... special effects makeup
 
Visual Effects by
Ulysses Argetta .... digital compositor
Ozzie Carmona .... digital artist
Miro Gal .... location visual effects supervisor
Robert Kurtzman .... visual effects supervisor
Jim O'Hagan .... digital compositor: Pacific Title
Franklin Purtiman .... digital effects artist
Andrew Sagar .... digital compositor
Antonio Torres .... digital artist: Pacific Title
Alan Tuskes .... digital effects artist
Bob Wiatr .... digital compositor: Pacific Title
 
Stunts
Jindrich Klaus .... stunt double
Miroslav Lhotka .... stunts
Pavel Vokoun .... stunt coordinator
 
Camera and Electrical Department
Libor Bruha .... first assistant camera
Petr Cejka .... electrician
Shane Daly .... additional cinematographer
Ludek Hynek .... key grip
Ales Kohout .... electrician
Petr Konrád .... gaffer
Zbynek Kunc .... additional photographer
Zbynek Kunc .... focus puller
Filip Majer .... focus puller: second unit
Jan Matejka .... electrician
Zdenek Mrkvicka .... second assistant camera
Vlada Muller .... steadicam operator
Martin Nahodil .... video playback operator
Radek Skudrna .... additional photographer
Radek Skudrna .... focus puller
Lukas Srajer .... grip
Martin Stepánek .... camera operator
Martin Stepánek .... director of photography: second unit
Dalibor Suchy .... electrician
Petr Sulc .... best boy
Stepan Svoboda .... additional photographer
Stepan Svoboda .... assistant camera
Rico Torres .... still photographer
 
Casting Department
Ineke de Vos .... casting: Netherlands
Jennifer Rudolph .... casting: New York
 
Costume and Wardrobe Department
Jitka Novotna .... wardrobe supervisor
Hana Rambova .... wardrobe assistant
 
Editorial Department
Jacquelyn Dean .... post-production assistant
Ian Elias .... post-production assistant
Marc Fisher .... on-line editor
Michael T. Forrest .... on-line editor
Charles Kaplan .... associate editor
Stephen R. Sheridan .... color timer
Brad E. Wilhite .... associate editor
Lawrence Howard Williams .... post digital media operator
 
Music Department
Gerry Cueller .... music supervisor
Greg Danylyshyn .... music supervisor
Michael Farrow .... music scoring mixer
Karen Guthery .... orchestrator
Penka Kouneva .... orchestrator
Brian Richards .... music editor
Allan Wilson .... conductor
 
Transportation Department
Jan Strasik .... transportation coordinator
 
Other crew
Travis S. Baker .... researcher
Mark Bakunas .... production accountant
Tawnya Brown .... assistant: Mr. Fleiss
Veronika Brtova .... production assistant
Marketa Dankova .... production assistant
Eva Dvorakova .... on-set medic
Olina Edney .... production secretary
Jakub Eliasek .... production assistant
Flax Glor .... publicist
Milda Jedi Havlas .... production assistant
Charles Heaphy .... production financing
Vlasta Hynek .... production coordinator
Kazi Kopecka .... script supervisor
Julie McLean .... assistant: Mr. Tarantino
Kevin Mockrin .... intern
Tony Muro .... publicist
Honza Ondrovcak .... location manager
Hynek Pantucek .... key loader
Gabriel Roth .... documentarian (as Gabe Roth)
Pilar Savone .... assistant: Mr. Tarantino
David Skacelik .... production assistant
Jan Soufek .... production assistant
Jed Strahm .... assistant: Raw Nerve
Richard Tanne .... researcher
Quentin Tarantino .... presenter
Katherin-Ellen Zabehlicky .... production assistant
 
Thanks
Mick Garris .... special thanks
Peter Jackson .... very special thanks
Harry Jay Knowles .... very special thanks (as Harry Knowles)
Takashi Miike .... very special thanks
Fran Walsh .... very special thanks
Ísleifur Þórhallsson .... thanks (as Isleifur Thorhallsson)
 


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Additional Details

MPAA:
Rated R for brutal scenes of torture and violence, strong sexual content, language and drug use.
Runtime:
94 min | Philippines:93 min (cut)
Country:
USA
Color:
Color
Aspect Ratio:
2.35 : 1 more
Sound Mix:
DTS | Dolby Digital | SDDS
Certification:
Malaysia:(Banned) (theatrical) | Norway:18 (self applied) (with warning) | Sweden:15 | Argentina:16 | Netherlands:16 | Philippines:R-18 (MTRCB) | Australia:R | South Africa:16 | Portugal:M/18 | Hungary:18 | Hong Kong:III | Malaysia:18SG (unrated DVD version) | Germany:Not Rated (SPIO/JK) (extended version) | Switzerland:18 (canton of Geneva) | Mexico:D | South Korea:Limited (original rating) | Iceland:16 | Germany:18 (nf) | Belgium:KNT | Canada:18A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Finland:K-18 | Brazil:18 | New Zealand:R18 | Canada:18+ (Quebec) | Switzerland:18 (canton of Vaud) | Italy:VM14 | UK:18 | USA:R (certificate #42205) | Singapore:R21 (cut) | Japan:R-18 | France:-16 (with warning) | South Korea:18 (re-rating) (cut)
MOVIEmeter: ?
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Company:
Hostel LLC more

Fun Stuff

Trivia:
The crate that Paxton hides behind at the train station had to be painted over, because the production design team put the words "Made in Slovakia" on it. Eli Roth thought it would seem strange for a Slovakian crate to have English words on it. more
Goofs:
Continuity: When Paxton's fingers are sawed off, you could see three of them are actually taken off. When he looks at his hand to see the damage, three fingers are visible. It's as of only two fingers were sawed off. more
Quotes:
[first lines]
Paxton: Amsterdam, motherfucker!
more
Movie Connections:
Referenced in "Greek: Black & White and Read All Over (#1.10)" (2007) more
Soundtrack:
Guten Abend more

FAQ

Is this movie based on a real story?
A NOTE ABOUT SPOILERS
What does the non-English dialogue mean?
more
420 out of 698 people found the following comment useful:-
Moral Choices and the Dark Side of Humanity, 20 December 2005
9/10
Author: BigMez from United States

I just got back from an L.A. screening of Hostel. I haven't seen an effective horror film like this in a long time. My stomach was still knotted up after we left the screening. The last time I felt like that was when I saw ALIENS for the first time about 19 years ago. Since then, no other horror film has ever made me feel like that. I certainly didn't expect it from this one. As much as I loved Cabin Fever, I'm not blind to the shortcomings of its script. As such,I was expecting more of the same from Hostel - dark humor, gore, and a sense of dread. I'm happy to see that director Eli Roth has taken a big step forward in becoming a better storyteller and filmmaker.

Admittedly my heart sank when the film began. The scenes introducing the main characters were blandly shot and edited. All I could think was, 'Oh no. Roth succumbed to some unseen studio pressure to make a normal-looking horror flick'. The style was typical of the what you'd see in crap like I know what you did last summer. But in very subtle ways, the blandness gets washed away and as our heroes enter the threshold of Hell, the style of the film changes as well. This, I learned during the Q&A afterwards with Roth, was intentional.

If you've read some of the other reviews posted here from people who saw it at the Toronto Film Festival, you get the general idea of the story. Contrary to what you might've heard, this is not a 90 minute film on torture. The torture scenes are brief and to the point. Roth doesn't wallow in pointless gore. And this is where I think it shows how he's improved as a filmmaker. He's more interested in scenes and ideas that move the story forward. Yes, there is plenty of gore, but it's relevant to the story and doesn't exist just for it's own sake.

One of the aspects of this film that made it so powerful was how Roth created a sense of helpless and inevitability. He provides the dark setup, throws in a sympathetic character, and begins twisting the screws and ratcheting up the suspense. This isn't a movie where you turn off your brain to enjoy it. On the contrary. The more you think about it, the more horrifying it becomes. You begin putting yourself into the character's situation and wondering what you'd do. When you realize that there is no hope for the character, no way to escape, no 'buddy' who's gonna turn up at the last minute to save the hero, and not a shred of humanity or compassion to the antagonists, real fear begins to set in.

Another great element in the script is how the 'survivor' makes moral choices that define their character. Instead of being merely reactive like the characters in Cabin Fever, the survivor makes several decisions which change the course of the story. It's a sign of well thought-out script and a filmmaker who cares about the fate of his characters.

For horror fans, this is an absolute must-see. It's so refreshing to see a horror movie that actually makes you feel uncomfortable and one in which you have no idea what's going to happen next. As for the gore, I was surprised by what they got away with. Although there were no credits at the end of the film, the cut I saw was rated R by the MPAA and according to Roth, he didn't cut anything out.

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Recent Posts (updated daily)User
i felt worse for the torturers fujiko-4
The scary thing abouth this film. SoftGuy-DK
Suitable for a 14 year old that's seen all of the Saws and was fine? alwaysvanilla94
WHAT IS THE APPEAL billie_joe_777
Human trafficking, forced slavery, and forced prostitution in Europe zagadka5137
How did Paxton know the dutchman was involved? mscottmckibben
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