| Photos (see all 56 | slideshow) | Videos (see all 15 videos ) |
| Ice Cube | ... | Durell | |
| Katt Williams | ... | Rickey | |
| Tracy Morgan | ... | LeeJohn | |
| Loretta Devine | ... | Sister Doris | |
| Michael Beach | ... | Deacon | |
| Keith David | ... | Judge B. Bennet Galloway | |
| Regina Hall | ... | Omunique | |
| Malinda Williams | ... | Tianna | |
| Chi McBride | ... | Pastor Arthur Mitchell | |
| Clifton Powell | ... | Officer Eddie King | |
| Nicholas Turturro | ... | Officer D'Agostino | |
| Olivia Cole | ... | Momma T | |
| Red Grant | ... | Harold | |
| C.J. Sanders | ... | Durell Jr. | |
| Rickey Smiley | ... | Bernice Jenkins | |
| Arjay Smith | ... | Preston | |
| Kim Staunton | ... | Public Defender | |
| Sterling Ardrey | ... | Timmy (as Sterling D. Ardrey) | |
| Gerry Black | ... | Mr. Wally | |
| Joy Brunson | ... | Choir Member 2 | |
| P.J. Byrne | ... | Assistant D.A. | |
| Paul Campbell | ... | Blahka | |
| Melanie Comarcho | ... | Waitress | |
| Bashirrah Creswell | ... | Choir Member 3 | |
| Antwone Dickey | ... | Pirate | |
| Starletta DuPois | ... | Grandmother | |
| Roy Jackson | ... | Boyfriend | |
| Patricia Mikel | ... | Sister Baker | |
| Byron Blu Mitchell | ... | Choir Member 1 | |
| Aya Nagasaki | ... | Massage Attendant | |
| Reynaldo Rey | ... | Soul Joe | |
| Martell Robinson | ... | Mordecai | |
| Tiffany Pollard | ... | Omunique's Client | |
| Retta | ... | Roberta | |
| Kurt Carr | ... | Choir Band | |
| Nathaniel Kearney Jr. | ... | Choir Band | |
| Timothy P. Mason | ... | Choir Band | |
| Sheryl Harper | ... | Choir Band | |
| Vernon Keith Allen | ... | Choir | |
| Jackie Brown | ... | Choir | |
| Troy Clark | ... | Choir | |
| David Daughtry | ... | Choir | |
| Kesha Ealy | ... | Choir | |
| Janet Fuller | ... | Choir | |
| Chara Hammonds | ... | Choir | |
| Melody Hess | ... | Choir | |
| Frank Ingram | ... | Choir | |
| Patricia Johnson | ... | Choir | |
| Carolyn Johnson-White | ... | Choir | |
| Helen Jones | ... | Choir | |
| Shanika Leeks | ... | Choir | |
| Rodney Matthews | ... | Choir | |
| Margarette Miller | ... | Choir | |
| James Neuble | ... | Choir | |
| Aseneth Parker | ... | Choir | |
| Nicoe Potts | ... | Choir | |
| Kecia Sanders | ... | Choir | |
| Koda Turner | ... | Choir | |
| Andre Washington | ... | Choir | |
| Rodney Washington | ... | Choir | |
| Otha White | ... | Choir | |
| Rachel Whitlow | ... | Choir | |
| Linda Willis | ... | Choir | |
| Brandon Winbush | ... | Choir |
Directed by | |||
| David E. Talbert | |||
Writing credits(WGA) | ||
| David E. Talbert | (written by) | |
Produced by | |||
| Matt Alvarez | .... | producer | |
| Stacy Cramer | .... | executive producer (as Stacy Kolker Cramer) | |
| Ice Cube | .... | producer | |
| Trae Ireland | .... | co-producer | |
| Neil A. Machlis | .... | executive producer (as Neil Machlis) | |
| Jessica McCullagh | .... | associate producer | |
| David McIlvain | .... | producer | |
| Ronald G. Muhammad | .... | executive producer (as Ronald Muhammad) | |
| Tim Story | .... | producer | |
| David E. Talbert | .... | producer | |
| Julie Yorn | .... | executive producer | |
Original Music by | |||
| Stanley Clarke | |||
Cinematography by | |||
| Alan Caso | (director of photography) | ||
Film Editing by | |||
| Jeffrey Wolf | |||
Casting by | |||
| Kim Coleman | (as Kim Taylor-Coleman) | ||
| Kim Hardin | |||
Production Design by | |||
| Dina Lipton | |||
Art Direction by | |||
| Robert Strohmaier | |||
Set Decoration by | |||
| Halina Siwolop | |||
Costume Design by | |||
| Gersha Phillips | |||
Makeup Department | |||
| Tena Austin | .... | makeup artist: second unit | |
| Debra Denson | .... | makeup artist: Ice Cube | |
| Jason Green | .... | hair stylist | |
| Andrea Jackson | .... | hair stylist: second unit | |
| Jasmine Kimble | .... | hair department head | |
| Bret Mayo | .... | hair stylist | |
| Cole Paterson | .... | makeup artist | |
| Beverly Jo Pryor | .... | makeup department head | |
| Judy Twine | .... | key makeup artist | |
Production Management | |||
| Craig Cannold | .... | production supervisor | |
| Neil A. Machlis | .... | unit production manager (as Neil Machlis) | |
| Nick Phillips | .... | executive in charge of production | |
Art Department | |||
| William Eliscu | .... | graphic designer | |
| Susan Frontiera | .... | construction estimator | |
| L. David Gordon | .... | drapery foreman | |
| Vinson Jae | .... | stand-by painter | |
| Jeffrey Paul Johnson | .... | property master (as Jeff Johnson) | |
| Robert Kropfl | .... | location foreman | |
| Michael C. Magno | .... | set dresser | |
| Desma Murphy | .... | assistant art director | |
| Trevor Rudolph | .... | set dresser | |
| Tomas Sallvin | .... | construction coordinator | |
| John Sweeney | .... | assistant property master | |
| Viva Wang | .... | set designer | |
| Randy Molique | .... | on-set dresser (uncredited) | |
Sound Department | |||
| Mark Agostino | .... | ProTools operator | |
| Walter Anderson | .... | production sound mixer | |
| Bill W. Benton | .... | supervising sound mixer | |
| Gary C. Bourgeois | .... | sound re-recording mixer | |
| Anita Cannella | .... | foley artist | |
| Anthony J. Ciccolini III | .... | supervising sound editor | |
| Gloria D'Alessandro | .... | adr editor | |
| Amy Kane | .... | foley artist | |
| Lisa J. Levine | .... | adr supervisor | |
| Mike Marino | .... | foley mixer | |
| Anthony M. McCovey | .... | second boom operator | |
| Daniel Pagan | .... | foley editor | |
| Lynn Sable | .... | assistant sound editor | |
| Douglas Shamburger | .... | boom operator | |
| Karen Spangenberg | .... | dialogue editor | |
Special Effects by | |||
| Michael Clarke | .... | special effects technician | |
| Guy C. Feldman | .... | special effects technician (as Guy Feldman) | |
| Jeff Ogg | .... | special effects technician | |
| Dennis Petersen | .... | special effects coordinator | |
| Garth Steinheimer | .... | special effects technician | |
| Parry Willard | .... | special effects technician | |
Visual Effects by | |||
| Sean Amlaner | .... | digital compositor: Zoic Studios | |
| Raoul Bolognini | .... | visual effects producer | |
| Kristen Branan | .... | head of production: Zoic Studios | |
| Sean Coonce | .... | digital compositor: Zoic Studios | |
| Andreas Jablonka | .... | digital compositor: Zoic Studios | |
| Rocco Passionino | .... | visual effects supervisor | |
| Bethany Pederson | .... | digital artist | |
| Dawrath Phoue | .... | rotoscope artist | |
| Madhava Reddy | .... | digital intermediate | |
| R. Matt Smith | .... | digital compositor | |
| Sean Tompkins | .... | visual effects coordinator | |
Stunts | |||
| LaFaye Baker | .... | stunts | |
| Jwaundace Candece | .... | stunt driver | |
| Eugene Collier | .... | stunts | |
| Calvin Harrison | .... | stunt driver | |
| Toby Holguin | .... | stunt double: Nicholas Turturro | |
| Rashon Khan | .... | stunts | |
| Horace Knight | .... | stunts | |
| Len Richard | .... | stunt double | |
| Von L. Roddy | .... | stunts (as Von Roddy) | |
| Marcus Salgado | .... | stunt performer | |
| Eddie L. Watkins | .... | stunt coordinator (as Eddie Watkins) | |
Casting Department | |||
| Kyle Burch | .... | extras casting assistant | |
| Dawn Marie Deibert | .... | extras casting | |
| Kim Hardin | .... | additional casting | |
| Eve Streger | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jean Bone | .... | costumer | |
| Nancy Ceo | .... | costume supervisor (as Nancea Ceo) | |
| Sean Haley | .... | costumer | |
| Jacqueline Kahn | .... | costumer | |
| Michelle Margolis | .... | costumer | |
| Elaine McGhee | .... | costumer | |
| Aaron Millsap | .... | costumer | |
| Delerna Moore | .... | key costumer | |
| Dalhia Schuette | .... | costumer | |
Editorial Department | |||
| Jason Ellena | .... | post-production assistant | |
| Kristine McPherson | .... | first assistant editor | |
| Harry Muller | .... | color timer | |
| Julia Nessling-Douglas | .... | digital intermediate producer | |
| Lorena Talpan | .... | post-production assistant | |
Music Department | |||
| Spring Aspers | .... | music supervisor | |
| Todd Bozung | .... | music editor | |
| Kurt Carr | .... | choir consultant | |
| Ryan Gaines | .... | music coordinator | |
| Robert Johnson | .... | music consultant | |
| David Kitay | .... | composer: additional music | |
Transportation Department | |||
| William R. Peck | .... | driver | |
| John 'J.P.' Pratt | .... | transportation captain | |
Thanks | |||
| Pastor Zachary E. Carey | .... | special thanks | |
| Pastor Vincent Negron | .... | special thanks | |
| Aundrae Russell | .... | special thanks | |
| Maurice Wilkinson | .... | special thanks | |
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| Cradle 2 the Grave | Lock, Stock and Two Smoking Barrels | Ocean's Twelve | Fun with Dick and Jane | 11:14 |
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I really enjoyed this film for a number of reasons. I think Katt Williams is hilarious all by himself and was a great person to cast as choir director. I thought the plot was not as generic as most theft-based plots that hit Hollywood. I thought the transitions that happened as the film developed were fun to watch. Overall I thought the movie was really good.
If you are trying to decide whether or not you want to go see this movie, consider this as you make your decision. First, the film is stereotypical. The main characters live in and attend church in a run down community exposed to crime, drugs, and other stereotypical things you expect to find in a stereotypical community overrun with stereotypical people who are stereotypically Black or Hispanic. Second, the film is funny. Things that are funny to people who understand the complexities and realities of being Black will realize this; people who do not understand will find it challenging to find the comedy. Third, the film will not be an Oscar nominee. The movie was not so well shot, scripted, edited, or presented that you will see it up for major awards. That being said, a number of movies come out every day that are entertaining but are not award-winning and we watch them because we want to be entertained. This is another one of those films. So, if you want to be entertained, you understand the positive and negative inner workings of Black society, and you do not mind viewing a film that displays both stereotypes and truths about the way Black people live, move, and have their being, this movie is for you.