| Photos (see all 28 | slideshow) | Videos (see all 2) |
| Ryan Reynolds | ... | Gary / Gavin / Gabriel | |
| Melissa McCarthy | ... | Margaret / Melissa / Mary | |
| Hope Davis | ... | Sarah / Susan / Sierra | |
| Elle Fanning | ... | Noelle | |
| David Denman | ... | Parole Officer / Agitated Man | |
| Octavia Spencer | ... | Streetwalker | |
| Ben Falcone | ... | Himself | |
| Dahlia Salem | ... | Herself | |
| John Gatins | ... | Himself | |
| Andy Fielder | ... | Moderator | |
| Jodi Sellards | ... | Piano Player | |
| Greg Baine | ... | Delivery Boy | |
| Martin Yu | ... | Focus Group Participant #1 | |
| Gregg Naaman | ... | Focus Group Participant #2 | |
| Lorene Scafaria | ... | Game Night Guest | |
| Jim Rash | ... | Game Night Guest | |
| Rawson Marshall Thurber | ... | Game Night Guest | |
| Dan Jinks | ... | Game Night Guest | |
| rest of cast listed alphabetically: | |||
| Sean Andrews | ... | Officer Cooper (uncredited) | |
| Nicholas Garren | ... | Russian Drug Dealer (uncredited) | |
| Malia Herrick | ... | Check-in girl (uncredited) | |
| Ellen Treanor | ... | Christine Walsh (uncredited) | |
Directed by | |||
| John August | |||
Writing credits(WGA) | ||
| John August | (written by) | |
Produced by | |||
| Bruce Cohen | .... | producer | |
| Dan Etheridge | .... | producer | |
| Dan Jinks | .... | producer | |
| Todd King | .... | co-producer | |
Original Music by | |||
| Alex Wurman | |||
Cinematography by | |||
| Nancy Schreiber | |||
Film Editing by | |||
| Douglas Crise | |||
Art Direction by | |||
| E. Colleen Saro | (as Colleen Saro) | ||
Set Decoration by | |||
| Christopher Marsteller | |||
Costume Design by | |||
| Molly Grundman | |||
Makeup Department | |||
| Romy Fleming | .... | hair department head | |
| Paula Jane Hamilton | .... | makeup department head | |
Production Management | |||
| Brigitte Mueller | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Howard Butler | .... | day player second second assistant director | |
| Shelly Heyward | .... | second second assistant director | |
| Mark Mathis | .... | first assistant director | |
| Ryan Ramos | .... | second assistant director | |
| Anneke Scott | .... | second second assistant director | |
Art Department | |||
| Matt Center | .... | additional swing | |
| Ara Darakjian | .... | additional swing | |
| Gregory M. Edgar | .... | property master | |
| Vincent Lucido | .... | storyboard artist | |
| Rebecca Rosenthal | .... | on-set dresser | |
| Ilya Seperich | .... | additional property assistant | |
| Russell Tamashiro | .... | additional swing | |
Sound Department | |||
| Richard Adrian | .... | sound designer | |
| Kevin Becker | .... | boom operator | |
| Michael Brown | .... | foley supervisor | |
| Monroe Cummings | .... | sound mixer: video unit | |
| Rene Defrancesch | .... | additional boom operator | |
| James Dehr | .... | sound mixer | |
| Mark Ettel | .... | sound re-recording mixer | |
| John Fairlamb | .... | field recordist | |
| Darrell Hanzalik | .... | adr supervisor | |
| Yagmur Kaplan | .... | adr mixer | |
| Anthony Krajchir | .... | sound engineer | |
| Sylvain Loiseau | .... | post-production audio manager | |
| Matthew Nicolay | .... | sound mixer | |
| Phillip Perpich | .... | field recordist | |
| Jeff Prosser | .... | foley mixer | |
| Christopher Sheldon | .... | supervising sound editor | |
| David Warburton | .... | post facility coordinator | |
| Stacey A. Washer | .... | boom operator | |
Visual Effects by | |||
| Kevin R. Browne | .... | digital artist | |
| Marie Victoria Denoga | .... | digital compositor | |
| Buddy Gheen | .... | visual effects | |
| Danny S. Kim | .... | visual effects | |
| Vincent Lavares | .... | data manager: Laser Pacific | |
| Migs Rustia | .... | visual effects editor | |
| Doug Witsken | .... | digital compositor | |
Stunts | |||
| Hiro Koda | .... | stunt coordinator | |
| Larry A. Lee | .... | car stunt rigging | |
Costume and Wardrobe Department | |||
| Samantha Schwartz | .... | wardrobe intern | |
| Kia Tyrrell | .... | key costumer | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Denise Crise | .... | assistant editor | |
| Mike Sowa | .... | digital intermediate colorist | |
Music Department | |||
| Christine Bergren | .... | music clearance | |
| Julianne Jordan | .... | music supervisor | |
| Jen Pray | .... | music clearance | |
| John Rodd | .... | music mixer: song "Is That All There Is" | |
Transportation Department | |||
| Andrea Clemente | .... | driver | |
| Paul Feddersen | .... | transportation coordinator | |
| Gary Lowrance | .... | driver | |
| Dennis Matsuoka | .... | driver | |
| Colleen Rea | .... | driver | |
| Craig Shenk | .... | driver | |
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| Go Into Your Dance | The Godfather | Halloween | A Day Without a Mexican | Premonition |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
I wrote this without reading any of the other reviews, mostly cos i didn't want them to influence my own, and partly cos i'm lazy. This was a very interesting film that left some to the imagination and a lot to interpretation (but not too much).
The film consists of 3 stories: the first about a house-arrested destructive TV star, the second a TV show writer with a new show in the works and the third a computer game creator stuck in the woods with his family. All three are played expertly by Ryan Reynolds. He is supported by two women, Hope Davis and Melissa McCarthy, who are also very good at enforcing the bizarre yet irresistible vision of John August, who has a good track record of writing screenplays, most notably with Tim Burton (it's worth ignoring the Charlie's Angels jobs though). The three leads play different parts in each. That alone should prepare you for the world he has created in The Nines.
It is difficult to talk of the story without giving too much away, John August has found a great concept and worked it brilliantly into a interpretable screenplay and image. The world he has created seems very real, with characters that operate in abnormal situations, but ones in which i think we all can relate, given our excessive access to reality TV and celebrity.
The direction is good, you know from the very start that the green woollen wristband holds significance, and the witty, experienced, inflective screen writing is a joy (though at times August gives a little more away than is necessary).
The film is a fantasy and the nines are a mystery, both collaborating in a way that captures the imagination. The three stories intersect and overlap with themes that confuse and inspire, which will leave many audiences pondering for awhile. But it is not as confusing as it may appear as the plot unfolds fairly intricately to those paying attention. All of the stories hold explanations, and the last explains it all.
I saw this with a friend who i wasn't expecting to enjoy it, but surprisingly they did. I giggled, guffawed and gasped, while we exchanged plot ideas and interpretations, throughout. Sometimes it became a little dry, but on the whole this a very well thought out drama mystery thriller with an excellent philosophy.