| Photos (see all 5 | slideshow) | Videos (see all 3 videos ) |
| Anders Danielsen Lie | ... | Phillip | |
| Espen Klouman-Høiner | ... | Erik | |
| Viktoria Winge | ... | Kari | |
| Henrik Elvestad | ... | Henning | |
| Christian Rubeck | ... | Lars | |
| Odd Magnus Williamson | ... | Morten | |
| Rebekka Karijord | ... | Johanne | |
| Henrik Mestad | ... | Jan Eivind | |
| Pål Stokka | ... | Geir | |
| Sigmund Sæverud | ... | Sten Egil Dahl | |
| rest of cast listed alphabetically: | |||
| Cecilie Bertran de Lis | ... | Sykesøster | |
| Anders Borchgrevink | ... | Joy Division jogger | |
| Tone Danielsen | ... | Inger, Phillip's mother | |
| Eindride Eidsvold | ... | Narrator (voice) | |
| Kari Feilberg-Jacobsen | ... | Guest at party | |
| Hege Serine Golf | ... | Geirs jente på fest (as Hege Golf) | |
| Silje Hagen | ... | Lillian | |
| Thorbjørn Harr | ... | Mathis Wergeland | |
| John Sigurd Kristensen | ... | Jon (as John S. Kristensen) | |
| Ivar Lykke | ... | Telesalgsjef | |
| Elisabeth Sand | ... | Hanne, Erik's mother | |
| Anne Sandvik Lindmo | ... | Programleder | |
| Andreas Tylden | ... | Rune | |
| Bjørn Tore Hansen | ... | Teleselger (uncredited) | |
Directed by | |||
| Joachim Trier | |||
Writing credits(in alphabetical order) | ||
| Joachim Trier | writer | |
| Eskil Vogt | writer | |
Original Music by | |||
| Ola Fløttum | |||
| Knut Schreiner | |||
Cinematography by | |||
| Jakob Ihre | |||
Film Editing by | |||
| Olivier Bugge Coutté | |||
Casting by | |||
| Jakob Rørvik | |||
Production Design by | |||
| Roger Rosenberg | |||
Set Decoration by | |||
| Egil Storeide | |||
Costume Design by | |||
| Maria Bohlin | |||
Makeup Department | |||
| Cecilie Greve | .... | assistant makeup artist | |
| Stine Monsen | .... | hair stylist | |
| June Pålgard | .... | makeup artist | |
Production Management | |||
| Teréz Hollo | .... | production manager | |
| Sophie Mas | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Hans-Jørgen Osnes | .... | assistant director | |
Art Department | |||
| Christine Bozenski | .... | property master | |
| Jo Anders Johnsen | .... | set dresser | |
| Linda Nikolaisen | .... | assistant props | |
| Jostein Oksavik | .... | set props | |
| Eivind Stoud Platou | .... | props designer | |
| Ann-Kristin Talleraas | .... | assistant props | |
Sound Department | |||
| Sébastien Agisson | .... | boom operator: Paris | |
| Roy Fenstad | .... | foley artist | |
| Kenneth Gustavsen | .... | sound recordist: second unit | |
| Eirik Ingebricson | .... | foley recordist | |
| Eirik Ingebricson | .... | sound effects editor | |
| Anniken Krogstad | .... | boom operator: second unit | |
| Ketil Ronold | .... | sound: second unit | |
| Morten Solum | .... | sound recordist | |
| Morten Solum | .... | sound | |
| Gisle Tveito | .... | sound designer | |
| Gisle Tveito | .... | sound re-recording mixer | |
| Andrew Windtwood | .... | boom operator | |
Special Effects by | |||
| Pål Morten Hverven | .... | special effects supervisor | |
Visual Effects by | |||
| Sune Dalgaard Christensen | .... | visual effects coordinator | |
| Lars Bjørn Hansen | .... | Flame artist | |
| Michael Holm | .... | Flame artist | |
Stunts | |||
| Pål Morten Hverven | .... | stunt driver | |
Camera and Electrical Department | |||
| Kristoffer Aamot | .... | clapper loader | |
| Ketil Berg | .... | first assistant camera: second unit | |
| Calle Børresen | .... | camera operator: second unit | |
| Thomas Fossgård | .... | gaffer: second unit | |
| Christen Kenneth Gran | .... | best boy electric (as Christen Gran) | |
| Karsten Heidar | .... | electrician | |
| Pierre Hemon | .... | assistant camera: Paris | |
| Baptiste Imbert | .... | assistant electrician: Paris | |
| Stian Jorde | .... | gaffer: second unit | |
| Rune Kalgraff | .... | best boy electric | |
| Bo Lundgren | .... | grip | |
| Hilde Malme | .... | camera operator: second unit | |
| Robin Ottersen | .... | first assistant camera: second unit | |
| Mathieu Plainfosse | .... | assistant electrician: Paris | |
| Nicolay Poulsen | .... | focus puller | |
| Hadrien Ricol | .... | assistant electrician: Paris (as Adrien Ricol) | |
| Henning Røkke | .... | best boy electric | |
| Terje Røkke | .... | gaffer | |
| Pål Ulvik Rokseth | .... | second assistant camera | |
| Petter Sørnæs | .... | grip: second unit | |
Casting Department | |||
| Linn Kirkenær | .... | casting assistant | |
| Kjersti Paulsen | .... | extras casting coordinator | |
Editorial Department | |||
| Ejvind Bording | .... | color timer | |
| Christian Siebenherz | .... | assistant editor | |
Other crew | |||
| Birgitte Clasen | .... | production accountant | |
| Madeleine Fant | .... | script supervisor | |
| Véronique Hallot | .... | production administrator: Paris | |
| Karl E. Karlsson | .... | production assistant | |
| Aslaug Konradsdottir | .... | script supervisor | |
| Andreas Lisberg | .... | production assistant | |
| Martin Myhre | .... | production assistant | |
| Nina Osnes | .... | production assistant | |
| Jakob Rørvik | .... | assistant to director | |
| Siw Skjervold | .... | public relations | |
| Charlotte Sommer | .... | production coordinator | |
| Anders Søndersrød | .... | production assistant | |
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| Vårnatt | Elling | Vinterkyss | Bare skyer beveger stjernene | The Station Agent |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Norway section | Add this title to MyMovies |
This film is intellectual without being arrogant, hip and stylish without being pretentious, and brimming with youth and energy without being juvenile.
On a simplistic level, the film can be described as a coming of age story about two Oslo twenty-somethings who are writers. The scenes when they are hanging out with their friends contain witty, realistic dialogue and interactions. But this is a very rich, complex film. A unique, fresh narrative structure, depth of emotion, brilliant character development, beautiful photography, and terrific acting- this is really a film that has nothing simplistic about it. At times incisively funny, at other times angst ridden and sad, the film takes the viewer through the gamut of emotions experienced by the characters.
I didn't always know where the story or characters were going (I don't think the characters themselves did), but the director/writer was always in charge and confidently in control of every frame, yet not manipulative; I was a very satisfied viewer when the credits rolled and loud applause broke out in the audience at the Museum of Modern Art in New York City.
Keep your eye on Joachim Trier- he's going places.