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"Lost" Exposé (2007)
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Overview
User Rating:
TV Series:
"Lost" (2004)Original Air Date:
28 March 2007 (Season 3, Episode 14)Plot:
Nikki and Paulo are two more of the castaways with a past just like any of the others. What have they been doing since the plane crash? full summary | add synopsisUser Comments:
Superior one-hour entertainment moreCast
(Episode Cast overview, first billed only)| Naveen Andrews | ... | Sayid Jarrah (archive footage) | |
| Henry Ian Cusick | ... | Desmond Hume | |
| Emilie de Ravin | ... | Claire Littleton | |
| Michael Emerson | ... | Ben Linus | |
| Matthew Fox | ... | Jack Shephard (archive footage) | |
| Jorge Garcia | ... | Hugo 'Hurley' Reyes | |
| Josh Holloway | ... | James 'Sawyer' Ford | |
| Daniel Dae Kim | ... | Jin Kwon | |
| Yunjin Kim | ... | Sun Kwon | |
| Evangeline Lilly | ... | Kate Austen | |
| Elizabeth Mitchell | ... | Juliet Burke | |
| Dominic Monaghan | ... | Charlie Pace | |
| Terry O'Quinn | ... | John Locke | |
| Kiele Sanchez | ... | Nikki Fernandez | |
| Rodrigo Santoro | ... | Paulo |
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Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
42 min | Germany:41 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
1.78 : 1 moreFilming Locations:
O'ahu, Hawaii, USAFun Stuff
Trivia:
Exposé director Stephen Williams cast a fictional Stephen Williams as the director of the fictional Exposé. You can see his name on the clap board and on the back of the director's chair. The gentleman in the sleeveless shirt is the phony Williams, the man in the lower right is the real Stephen Williams. moreGoofs:
Continuity: While Nikki & Paulo are drinking champagne in the airport lounge, Shannon & Boone arrive, arguing. Paulo's full glass suddenly becomes less than half full. As Boone and his sister leave to find somewhere to sit, the glass is almost full again. moreQuotes:
Henry Gale: I can convince him to do it.Juliet Burke: How?
Henry Gale: The same way I get anybody to do anything: I find out what he's emotionally invested in and I exploit it.
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Perhaps the best episode of the season, it reminded me of an old E.C. comic from the 1950s--a single, short, spooky tale, cleverly told and with a terrific twist. Such a show is, for me, very much superior to the continuity based episodes, such as the following week's, which limp along at a languid pace and reveal little. And it was not marred by the tendency to use musical overlay to dramatize situations and to help the viewers empathize with the characters. By contrast, this episode contained superior writing and tight directing and sharp performances. As such, it represents a high-water mark for the series, and a continued revelation of the absence of community within the ostensible community of beach survivors. Plus, little mention of the now-tedious Others.